The Traditional Queenslander Home
To some people, Queensland’s familiar timber and tin houses gave Brisbane, and other Queensland cities and towns, a somewhat temporary, insubstantial air. Known as 'The Queenslander’, they seemed so much less solid and permanent than homes built of brick or stone. Many Queensland houses were placed high in the air on tall stumps, as the supporting piers were always called, and seemed likely to simply fly away.
The Queensland house was relatively cost-effective when wood was plentiful, easy to transport, and, in a relatively stable climate, single skin, unlined walls were all that were considered needed to protect dwellers~people~the dwellers within} from cold. Sturdy corrugated iron roofs withstood heavy tropical rain and could be re-used if moved by cyclonic winds.
Verandahs sheltered people from burning sun and also caught any breeze that might be passing during the steamy summers. Coverings over window openings meant that windows didn’t have to be closed when humidity brought rain. Cleverly placed little revolving tin cylinders on the roofs removed hot air that had been drawn into ceiling spaces through decorative fretwork openings.
Although timber isn’t a particularly effective insulator against either heat or cold, air was able to flow down the long central hallways in a typical Queensland house and across the house from an open window on one side through open doors to the open window on the other side. The exterior of some houses were painted, others were simply oiled. Some verandahs were decorated with elaborate and expensive iron lace; others made do with simple timber dowels and carved timber decoration in pediments over front stairs.
Despite the air of seeming impermanence, the Queensland house has survived since its first appearance in the mid-nineteenth century. However, it has evolved. The simple two-room or four-room cottage has given way to much larger, sprawling homes. The pattern of the Queenslander home could be translated into the early types of kit-set homes.
Many were created by companies in Brisbane and transported long distances almost as flat-packs on trains. Collections of verandahs, tongue and groove boards for walls and sheets of corrugated iron for roofs were ready at the destination for assembly. The public housing movement that produced workers homes adapted the basic materials to differing shapes and sizes suitable for lower-cost housing.
After the war, the Queenslander seemed out of date in a world of modem architecture. Brick houses, American ranch style residences and other imported styles began to populate new suburbs. However, Brisbane is a hilly city and even modem designs often adapted the idea of stumps so that houses could be close to the ground near the top of a rising allotment and high where the ground fell away. In the late twentieth century, the old materials, tin and timber, were given new currency by innovative architects to create distinctly modem, light and airy Queensland homes.
In the 1970s and 1980s, when a drift back towards the inner suburbs attracted a new generation, old Queenslanders were discovered by younger owners. They painted them lovingly and added various renovations to bring an old favourite into the modem era.
However they originated, whether from sugar planters houses in the West Indies, bungalows in India or high houses in Malaysia, the Queenslander still distinguishes Brisbane from the other Australian capital cities.
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Sphere: Related ContentRGB verses CMYK Colours
For the colour printing of your digital files, you have to supply the graphics and image in the optimum colour mode. Many software programmes let you to work with RGB colour or CMYK colour. RGB colours or Red-Green-Blue colours are familiarly known as the primary colours of the light. This colour combination can be seen on your television or computer monitors. Digital cameras and scanners also produce pictures with Red-Green-Blue colour combinations. Red-Green-Blue colour mode ought to be used while taking photos that need to be seen on the monitor, or by emails or CD.
All the colours of the light spectrum are formed from primary colours, but monitors can display only limited colour range from the visible spectrum. Light is sent from the monitor, and the ink recognizes only specific wavelength of colours. All three primary colours are combined to create white. If all three primary colours are missing, then the light will show as black. By combining a variety of intensities of RGB colours, each mixture results in different colours. A monitor of a television or a computer consists of small units called pixels. Every pixel contains three units of light, and each unit represents red, green and blue.
We can’t actually see individual pixels with the naked eye because they are too tiny. But every pixel is created by the application of proper values of RGB, as without the proper values of the colour units, you will not see anything displayed on the screen. The values of RGB colours are calculated mainly by three methods. The first method is to set them with the help of different numeric values. The numeric values used for this purpose are the values from 0 to 255, and this is the easiest method of the three.
The second method is by using hexadecimal notations. This method is mainly used for HTML and other languages of the computer. These notations follow a logical pattern. The hexadecimal notation consists of six characters, and these characters are divided into three. The first pair represents the red, the second pair green and the third pair as blue. Each pair is represented by a hexadecimal number (0-9) and the letters (A-F). The third method is the percentage in which a certain percentage represents each colour. The program translates these percentages into suitable values ranges from 0-255.
CMYK colours or Cyan-Magenta-Yellow colours are subtractive colours, whereas RGB colours are additive colours. Additive colours are referring to light, whereas subtractive colours refer to inks, paint or pigment. CMYK mode is used for printing as all kind of printers are using subtractive colours to produce differing colours. When three additive colours are combined, the combination will produce white colour. But when three subtractive colours are combined, the combination produces black colour. This difference means there is a great diversity between the print and the onscreen display. Additive colour projects the light from the monitor, and if more light is projected from a specific pixel, it will be closer to the pure light. Regarding printer inks, they will absorb light and reflects only the wavelengths of light that is linked with the colour of the ink.
The inks of the printer take away the non-essential wavelengths from the light that falls on the ink. The remaining light will return to the eye, resulting in the impression of a variety of colours. If you are combining several colours, then more light will be absorbed by the ink and a lesser amount of light will be reflected to your eyes, and that results in darker colour. Black ink produced by the CMYK colours isn’t a deep black. So you must add black ink to get the best results for printing true black. To get a darker variety of any colour, you must add black in CMYK mode.
And how about the lighter shade of colours? As white ink cannot be created using CMYK colours, you have to work under the hypothesis that you are printing the colours on a white paper. As tiny dots of inks are used to print images the inks are used in a lower percentage to produce lighter shades so that more white colour is visible among the dots. The values of CMYK colours are calculated with the help of four different percentages. The values of each percentage should be between 0 and 100 so that the total percentage of the ink values can be up to 400%. But if the total percentage does reach 400%, the ink takes more time to dry. Therefore, the total percentage of ink should not be more than 300% in CMYK mode.
Both of the colour modes have their own limitations. Images resulting using RGB mode cannot be converted smoothly into CMYK mode because of the brightness of RGB colours. Similarly, CMYK colours can not be translated into RGB mode as the sharp look of RGB colours is missing in CMYK mode online. This is the reason why RGB colours are used in monitors and CMYK colours are used in printers.
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Sphere: Related ContentMoodle Learning Management System (LMS)
Moodle is a learning management system (LMS), a software application designed using sound educational principles, to assist people create effective web-based learning experiences. Moodle has a large and diverse user community with over 1,000,000 registered users on the Moodle Community site, speaking over 75 languages from 200 countries.
This user community includes developers, educators, system administrators and business users. Validated registration statistics indicate there are more than 35 million users of Moodle software, across the world.
Moodle is provided freely as Open Source software. This means Moodle is copyrighted, but the software can be changed and customised to suit your educational needs. Due to this, Moodle has an active web community of developers who contribute additional functionality to the application as requested by educators, administrators and business. Benefits include:
1. Promotion of social constructionist pedagogy through learning activities such as blog, chat, comments, forums, messaging, rss, tags and wiki;
2. Enables web-based user activity monitoring, assessment, feedback and grade book functionality;
3. Suitable for 100% online education as well as endorsing a blended learning approach by supplementing face-to-face classes;
4. Simple, lightweight, efficient, flexible, scalable and highly compatible;
5. The software is open source. This means no licensing costs or vendor lock-in. Thus reducing the total cost of ownership and enabling your organisation to invest resources to ensure a successful deployment.
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Sphere: Related ContentCan Marriage Counselling help you recover from an Affair? Perspectives from Gold Coast to Melbourne, Australia.
In Australia, it is believed between 22 and 40% of married men and between 11-25% of married women who are involved in an affair at least once. On the Gold Coast, with its transient population and facade of a glamourous lifestyle on offer, the estimated figures are considerably higher.
Secrecy and deception abound while an affair is taking place, so if it is discovered, the betrayal of the trust in a relationship is the most difficult issue for a partner to cope with.
Can a relationship or marriage survive an affair? Yes, a marriage or relationship can definitely be helped after an affair, but it does take a lot of work by both partners, particularly the partner who has cheated. Marriage Counselling over at least the medium term is essential to help restore trust and the relationship.
Relationship counselling needs to focus on the following five points in order to fully recover from an affair:
1. The affair must stop. The partner having the extra relationship must commit to having no more contact, in any form, if the marriage is to survive and rebuild.
2. The partner who has been hurt must be given the chance to express their feelings and it is necessary for the affair partner to listen, accept and validate those feelings, and also to reassure their partner that he or she wants and values this relationship.
3. The partner who has been involved in the affair must take responsibility to rebuild trust by being honest and accountable. This means comings and goings are knowable at all times and they are willing to have phone and emails checked at any time. This will need to continue for as long as it takes for the partner to feel that the trust has been rebuilt, often up to approx. six months.
4. Uncover the fundamental meaning. Both partners must explore why this affair has happened so that it doesn’t reoccur in the future.
5. Forgive. For this to happen, the partner who has had the affair needs to be deeply sorry for what he or she has done, as well as have true empathy for the pain the partner has experienced.
Added to these, there must be a commitment and planning for a better future together. Only then is it possible for the other partner to be able to forgive fully.
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Sphere: Related ContentBlood in Crime Scene Investigation
At the scene of any violent crime, the examining officer is likely to discover blood and traces of other bodily fluids. These are able to tell a great deal about what happened, not only about how the crime was committed, but also about the persons involved.
Nearly everybody knows their blood type, whether it is A, B, AB, or 0, and Rhesus negative or positive. This division of blood into types was first done by Austrian physiologist Karl Landsteiner at the end of the 19th century. In his experiments, he took small amounts of blood and separated the red cells from the liquid, which is called the serum. He achieved this by spinning the blood at high speed in a centrifuge. Then he took the serum and added red cells from different people. They acted in two different ways: either the cells mixed with the serum, or they clumped together (clotted), (”agglutinated”).
Many attempts at blood transfusion had been made in the past, but this observation explained for the first time why a great proportion had failed. If introduced blood was not of precisely the same type as that in the body, it resulted in the clumping of red cells, and the patient died. Quick tests of blood samples to discover whether agglutination will occur is now done before a transfusion is performed.
DIVIDING BLOOD INTO GROUPS
Red blood cells carry substances called antigens. Antigens help make antibodies that fight infection and disease. Landsteiner suggested that his experiment showed the presence of two specific antigens, which he labeled A and B. The discovery of these antigens allowed him to divide human blood into 4 basic groups:
Group A: antigen A present; antigen B absent
Group B: antigen A absent; antigen B present
Group AB: both antigens A and B present
Group 0: both antigens absent
The particular blood group of a person depends on the genetic inheritance from both parents. Known as ABO typing, it has been used, for example, to identify the biological father in a paternity case. How common each group is can vary from one national population to another. In the United States, for example, the relative proportions of ABO groups are roughly 39 percent A, 13 percent B, 43 percent 0, and 5 percent AB.
In 1927, Landsteiner found two other antigen types, labeling their occurrence as M, N, and MN. In 1940, working in the United States, he and A.S. Wiener discovered the Rhesus factor, named after the Rhesus monkeys they investigated. Since then, other researchers have introduced more than a dozen additional group systems. Different proteins and enzymes associated with specific blood groups have also been identified.
WHAT THIS MEANS FOR FORENSICS
The ability to identify blood type is an excellent tool for uncovering crucial evidence in a forensic investigation. If, for example, a victim’s ABO type is 0, and remains of blood of this type are found on clothing of a suspect whose type is A, there is a possibility that they have come from the victim.
Making use of the many other blood type systems now available, this probability can be greatly increased. If blood of type 0 occurs in 43% of the population, the substance haptoglobin-2 in 36 percent of these, and the enzyme PGM-2 in five percent, then the probability of an individual having these three blood types together is 43 x 36 x 5 = 7,740 in 1,000,000. In other words, around 8 people in every thousand have this specific type of blood. It’s still insufficient to obtain a conviction on this evidence alone, but it can help to narrow the number of suspects.
In 1925, another valuable discovery occurred. Around 80% of humans are ’secretors’. This means their saliva, urine, perspiration, and semen contain the same substances as their blood, and are able to be used for typing in a similar way. In 1940, two British researchers discovered it was possible to distinguish between female and male body cells, especially the white blood cells and those of the lining of the mouth. Blood typing is now so precise that recently one scientist showed that he could distinguish between the blood of his twin daughters, who were genetically identical, because one had suffered from chicken pox and the other hadn’t.
SPLASHES OF BLOOD
At the scene of a violent homicidal attack, blood may be present in great quantities. Not only will it be found on the victim, but also on the weapon and the surroundings. Indoors, the floors, walls, and even the ceilings may be splashed. Careful observation of these bloodstains can provide valuable clues about what took place. Bloodstains and splashes are classified into six basic types.
Round drops are found on horizontal surfaces; depending on the height from which they fell, they can spray out into a starlike shape. Splashes of blood are shaped like an exclamation mark; they show that blood has flown through the air and hit a surface at an angle. While a victim is still alive, spurts of blood result from the pumping action of the heart. A major artery can spray blood a considerable distance.
Pools of blood form around the body of a bleeding victim. If there is more than one pool, he either crawled, or was moved, from one spot to another before dying. Smears are likely also found in this case. Trails are left when a bloody corpse is moved. There will be drops if the body was carried, and smears if it was dragged.
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Sphere: Related ContentSugar Daddies
Sugar, has been known to raise blood glucose causing a significant rise. Many experts believe that too much sugar does not cause a man to go blind.
Babe, is a really attractive person, especially a woman, termed with endearment. Again not a real cause for men to go blind, unless they avoid the Babe, and take up the handshake. Daddy, From Middle English dadd, perhaps of Celtic origin, compare Welsh and Gaelic dadf. Some of these Daddies may already be blind, or induce blindness with substances. Others avoid blindness with Sugar and Babes.
We are a unique Sugar Daddy AGENCY with a selective portfolio of companions available NATIONALLY. We Specialise in providing Companions for Sugar Daddies. If you are seeking a Sugar Baby and you are an eligible Sugar Daddy then be your own Matchmaker and start Matching with the Sugar Babes now.
We offer a first class booking service. If you are looking for a Sugar Babe for that special social event or regular date, then you have come to the right place. Our Sugar Babes’ are intelligent, warm, friendly people who also know how to dress to impress for that touch of glamour. Please feel free to browse through our site and Sugar Babes, if you have any questions about our service or companions do not hesitate to contact us.
Sugar-Daddy offers a professional service in both behaviour and talents.
Each profile of our Sugar Babes contains the Sugar Babes recent and genuine photographs, along with the fees, statistics and other information. So take your time to browse our fascinating selection of stunning young Sugar Babes and travel companions displayed in our gallery. Contact us with your enquiries or selections and we will gladly assist you. We can assure you that the Sugar Babes which are to be introduced to you are beautiful, stylish, friendly sexy companions that will suit your requirements. When you call you will always be greeted by a friendly and helpful young lady. Please feel free to discuss with her your requirements for one or more of our companions. We aim to provide an honest and efficient service with a personal touch.
At Sugar-Daddy we offer a social experience for the genuine gentlemen. We have Sugar Babes for your forthcoming Corporate Functions, Cinema, Theatre, Sporting Events, Dinner, Shopping Trips, Weekend Travel, Holidays, or if you are here from Interstate and simply missing a date for an event. Dinner Dates are also most welcome, as our upmarket ladies will wine and dine in the classy environment that you will provide. We offer Sugar Babes from 3 hours up to 24 hour periods. Why be alone when you can have conversation, laughter, and fresh perspective to add to your day or evening.
All of our Sugar Babes will require the relevant details necessary for a date, such as venue, name, times, travel arrangements, and payment method. This is so as to avoid confusion and to offer complete safety for both parties. To assist in meeting your requirements we suggest advanced bookings to ensure availabilty.
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Sphere: Related ContentUniforms and Promotional Clothing
Uniforms are the same group of clothes worn by a group while participating in an activity. Commonly known are school uniforms, which many academic institutions require students and sometimes staff to wear. Uniforms are said to be equalisers that remove differences among the people wearing them. Other sets of uniforms are for office workers. Since a professional appearance essential to the good image and reputation of a company, uniforms are required in order to make the company look orderly and professional.
Sports uniforms are a familiar sight. They are commonly worn at sporting events and competitions. And, although it is important that a team is represented as orderly and perhaps even professional as with the previous types of uniforms, athletic uniforms are focused on providing comfort to the players. They must allow athletes to move with ease.
Things to consider when using Sports Uniforms for Promotions
One of the things to consider when using Sports Uniforms for promotions is the type of fabric used. Most often than not, the fabric must be lightweight and comfortable. They must be designed of fabrics that breathe and provide protection against skin complications. The fabrics must also cope with sudden movement and lunging stretches. And it also must be durable enough not to shred apart.
You can find athletic uniforms that bear corporation logos. These tell us that these companies support unity and teamwork. Uniforms may become a symbol of unity and source of pride to each member of a team.
Uniforms as Promotional Tools
Companies usually put on corporate functions, team-building exercises, and even sporting functions. These activities can provide a good opportunity for employers and employees to relax and enjoy every activity. It’s also a great time to promote your business. The company may take advantage of this chance to build team spirit through the use of Sports Uniforms. They can be given out to staff as casual sportswear. They are simple gifts, but can be appreciated by your employees.
Sponsoring Sports Uniforms is also becoming a clever means of advertising and promotion of company brand and logo. You may have noticed that on various parts of the uniform are logos of sponsoring companies. Just like any other promotional apparel, sports uniforms have logos that promote a certain company. Because athletic uniforms are costly, it is practical to allow companies to sponsor their uniforms in exchange for logos to be printed on it. During competition, uniforms are worn thus the logos are exposed.
Companies can offer to sponsor uniforms, especially to winning teams. This allows them to be associated with winning teams, which is great for the image of the company. It creates an idea that they are both winners in their own fields.
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Sphere: Related ContentWhat is a Shade Sail?
In A Nutshell A piece of material held up by fixed points offering shelter from the elements.
A little more detail Shade Sails are made from strong, shade cloth -which is a material (ideally a combination of high-density polyethylene with a filler thread or tape), with a stainless-steel cable sewn into the outside edge. They are suspended between posts or roof/wall fixings and provide shade coverage. Designs are based on ‘sails’ from ships, and are able to be made in numerous shapes but are normally available as triangles or variations of squares/rectangles.
Ancient History
The ancient Egyptians, Greeks and Romans were the first recorded people to use large pieces of fabric to provide shade. The Colosseum in Rome was shaded with dozens of large canvas ‘sails’ which were put into place by Roman sailors.
Recent History
Modern Shade Sail was developed to a commercial level in Australia in the 1980s, when people started trialling different shade cloth fabrics and installation techniques.
Although the concept of a shade sail is simple, the differences in design, components and manufacturing processes can largely affect your resulting product.
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Sphere: Related ContentNew Website yChatter.com Links Renters with Rental Properties in Sydney
yChatter.com is a great new way for those hunting for a housemate to connect with prospective roommates and find rental properties in Sydney. The site offers total privacy to both renters and owners while offering a way for them to communicate directly.
The latest site you can find share accommodation in Sydney is yChatter.com, which blends social networking with real estate in a new way that brings property owners, flatmate finders and renters together. Owners or those wanting a flatmate or roommate simply create a listing for their property, and then those looking for rental properties in Sydney can browse those listings. Tenants create a profile, listing specifications for what they need in a share accommodation or rental property. They can then easily sort the rental properties on yChatter.com according to those specifications, or look at what else is available. Flatmate finders can do the same with the share accommodation listings on the site.
When flatmate finders or renters find a share accommodation or rental property they are interested in, they are able to put it on their watch list. This allows them to send a message to the property owner or potential roommate through yChatter.com. They can ask questions about the rental properties, book a viewing of their favourite share accommodation and more.
Cheryl Aitken, co-founder of yChatter.com, says, “It’s never been easier to find rental properties in Sydney. We’ve created a great way for potential tenants and flatmates to communicate with owners without having to reveal their contact information until they are ready.”
On social networking sites, people connect by linking to friends and sharing photos with themselves and yChatter.com uses this feature to help renters find the best share accommodation or rental properties that have what they need. Having a photo on the site makes a renter seven times more likely to win the rental properties they want and property owners who upload photos of their rental properties are also more likely to find a great renter.
Managers at yChatter.com recommend looking at several rental properties because it can take just a few days or an entire month to find the right share accommodation. Flatmate finders who don’t post a picture of themselves are going to spend even more time looking.
Property owners also have the opportunity to use the free service from yChatter.com to see who is looking at their rental properties. They can send offers to renters they think would be a good fit. Renters or flatmate finders can then decline or accept the offers right through the yChatter website, making it very easy to indicate their intentions to the owners without having to call them.
yChatter.com is owned and operated by Premium IT Solutions Pty Ltd. The site is an online neighbourhood that allows renters and property owners to interact socially online.
Sphere: Related ContentImpressionism
Impressionism was a crucial artistic movement, first in painting and later on in music, that developed chiefly in France during the late 19th and early 20th centuries. Impressionist painting is considered the work produced between about 1867 and 1886 by a number of artists who shared a set of similar methods and techniques. The most conspicuous characteristic of Impressionism was an attempt to realistically and objectively record visual actual scenes in terms of moving effects of light and colour. The principal Impressionist painters were Claude Monet, Pierre Auguste Renoir, Camille Pissarro, Alfred Sisley, Berthe Morisot, Armand Guillaumin, and Frédéric Bazille, who collaborated together, influenced each other, and exhibited together and alsoindependently. Edgar Degas and Paul Cézanne also painted in an Impressionist style for a time in the early 1870s. The established painter Édouard Manet, whose work in the 1860s influenced Monet and others of the group, himself adopted the Impressionist approach about 1873.
These artists became dissatisfied early in their careers with academic teaching’s emphasis on painting an historical or mythological subject matter with literary or anecdotal overtones. They also rejected the conventional imaginative or idealizing treatments of academic painting. By the late 1860s, Manet’s art reflected a new aesthetic—which became a leading style in Impressionist work—in which the importance of the traditional subject matter was ignored and attention was moved to the artist’s depiction of colour, tone, and texture as ends in themselves. In Manet’s painting the subject became a vehicle for the artistic composition of sections of flat colour, and perspectival depth was minimised so that the eye would look at the surface patterns and relationships of the form rather than into the illusory three-dimensional space it created. About the same time, Monet was influenced by the revolutionary painters Eugene Boudin and J.R. Jongkind, who created fleeting effects of sea and sky using highly coloured and texturally varied techniques of paint application. The Impressionists also adopted Boudin’s practice of working entirely out-of-doors while in front of the actual scene, instead of finishing his paintings from drawings in the studio, as was the normal practice.
In the late 1860s Monet, Pisarro, Renoir, and various colleagues began painting landscapes and river scenes in which they attempted to dispassionately show colours and forms of objects as they showed in daylight at a given time. These artists abandoned the traditional landscape palette of muted greens, browns and grays and instead painted in a lighter, sunnier, more brilliant palette. They began by painting the play of light on water and the reflected colours of its ripples, wanting to reproduce the many and animated effects of sunlight and shadow and of direct and reflected light that they observed. In their efforts to reproduce actual visual impressions as registered on the retina, they gave up the use of grays and blacks in shadows as inaccurate and used complementary colours instead. More importantly, they learned to develop objects out of discrete flecks and dabs of pure harmonizing or contrasting colour, thus evoking the broken-hued brilliance and the variations of colour resulting from sunlight and its reflections. Forms in their pictures lost their clear outlines and became dematerialized, shimmering and vibrating in a re-creation of actual outdoor conditions. And finally, traditional formal compositions were also abandoned favouring a more casual and less contrived positioning of objects within the picture frame. The Impressionists extended these newfound techniques to paint landscapes, trees, houses, and even urban street scenes and interesting buildings such as railroad stations.
In 1874 the artists held their first show, separate from the official Salon of the French Academy, which had consistently rejected almost all of their works. Monet’s painting “Impression: Sunrise” (1872; Musée Marmottan, Paris) earned them the initially insulting name “Impressionists” from the journalist Louis Leroy writing of them in the satirical magazine Le Charivari in 1874. The artists themselves happily adopted the name as their intention to accurately paint visual “impressions.” They held 7 subsequent shows, the last in 1886. During that time they continued to develop their own personal and individual styles. All, however, affirmed in their work the principles of freedom of technique, a personal rather than a conventional approach to subject matter, and the truthful reproduction of nature.
By the mid-1880s the Impressionist collaboration had begun to dissolve as each painter increasingly pursued his own aesthetic interests and principles. In a short time, however, it had accomplished a revolution in the creation of art, providing a technical starting point for the Post-impressionist artists Paul Cézanne, Edgar Degas, Paul Gauguin, Vincent van Gogh, and Georges Seurat and freeing all subsequent Western art from narrow techniques and approaches to subject matter.
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